This picture was taken on a rainy day with not much opportunity to take pictures. My friend and I were stuck inside and decided to use this temporary hair chalk to color our hair wild colors. I put two buns in Maddie's hair and decided she needed to be infant of the camera. We used the brightest room in the house to capture her two buns, which unfortunately happened to be the bathroom. This picture was taken with a 4.0 aperture, a 1/160 shutter and a 1600 ISO. The lack of light caused me to have a high ISO. A high ISO partnered with a small aperture caused my shutter to be quite fast. In photoshop I brightened the picture using the brightness adjustment, and pushed the contrast. I added an artistic look to this photograph to set it aside from the rest of my photos and to push my knowledge of photoshop. I was able to do this by selecting filter gallery under the filter tab. In filter gallery I layered different techniques and styles to create what I felt complimented the picture. The background of this photograph is a different style from the filter gallery than what is seen over the model. I made multiple layers of filters and revealed different sections of them using a layer mask.
Wednesday, June 1, 2016
Desire
This was a re-edit of one of my older pictures. I originally had this photograph in color but decided I liked it better in black and white. I used a black and white adjustment layer to alter the colors to find the photographs best contrast. I pushed the reds down to give her lips more color, I kept the blues in the middle as her shirt was a pale blue color, and the yellows lighter so her skin didn't look dark or grainy.
OH MY GOSH
This was my first photo shoot this year. I had the privilege of shooting the first football game of the season from the field. I not only was able to capture the players but I was able to capture the crowd. We have a very supportive bleacher creature crowd wearing all red to support our team. I love this picture because I was able to capture the true emotion in Nataliyas face. I used a 5.6 aperture the background remained out of focus, a fast shutter of 1/200 to capture her movement, and an ISO of 800 because of the time of day, and lack of light.
Tuesday, May 17, 2016
Seriously Stylish
This photograph was taken in the studio with a 9.0 aperture, a 1/60 shutter, due to the little movement, and an ISO of 100 due to the amount of light. I used the burn tool on a very low percentage to contour her face after I softened her skin. I used the dodge tool to lighten a few of the pieces around her hair because it brightens her face. Her eyes are already blue but I used the hue and saturation tool to alter them slightly in order to match the blue in her dress. Her dress was bulging in the back just slightly so I used liquify, which is found under filter, to push her dress in so she would appear her usual size. You can't go too far with liquify or it will look unnatural.
Monday, May 16, 2016
Queen Bee
Merry Christmas
This picture was taken for the holiday season. I captured Santa stealing the milk and cookies just in time. I used an aperture of 2.8 to to focus on his hand taking the cookies and to leave the background out of focus. I used a fast shutter to catch him in the act, and an ISO of 200 to bring out all of the christmas color. Some of the christmas lights reflected into the plate and the milk so, in photoshop, I used the hue and saturation adjustment layer to correct the color. Santa wore a suit that was a little too small so I used the stamp tool to stretch out his sleeve.
Illusion
Gentle Giant
This picture was taken on a very hot sunny day and you can tell the bear is worn out. I originally took this photograph with the bear centered, but in photoshop I cropped it to give him direction and space to look into. I gave the rock more contrast by using the dodge tool on lighter areas and the burn tool on darker areas. There was originally an ugly bush in the left background, but I replaced it with part of a bush from another picture of a bear using the stamp tool.
Toitles
These turtles are found at Steigerwald lake wildlife refuge. I do not remember my metadata for this particular picture, but I would have a fast shutter due to light and movement, an ISO of 200 to keep light and color, and a shutter of around 3.5 to 5.6 to keep the turtles in focus, but the background and log out of focus. There was not much editing done in photoshop other than lightening up the darker areas using the dodge tool and creating a brightness layer, placing a mask on it, and revealing the areas necessary.
Flower Child
The picture on the top was taken at a 6.3 aperture in order to keep her face and the flowers and focus, the shutter was placed at 1/60 due to little movement, and the ISO was at 200 due to the amount of light. I didn't edit this photo a huge amount. I added a vignette to close in on the model and to take away from of the blank corners. I was able to do this by using the elliptical marquee tool and inverting it (command i). I then changed the hue of the vignette to pink, put a layer on it, and only revealed the top because the bottom pink was there originally.
The picture on the bottom was also taken at a 6.3 aperture in order to keep her face and the flowers and focus, the shutter was placed at 1/160 because the amount of light let in needed to be cut down, and the ISO was at 200 also due to the amount of light. I used the same technique to create the vignette but then changed the hue of the vignette to pink, put a layer on it, and only revealed the top because the bottom pink was there originally.
Disapear
This photoshoot made for an interesting experience. Sarah was brave enough to submerge herself in a bathtub of milk. I didn't use milk from the jug but, instead, I filled the bathtub with water and poured in milk powder. I poured gold glitter on her forehead, hair, and flowers. I used an exterior flash but, it was faced toward her which created the glow on her forehead. If I were to take this picture again, I would aim the exterior flash at a reflector which would give her skin a glow. In Photoshop, I matched the flowers to the color of her lips using a hue and saturation layer. I softened her skin by changing the layer to vivid light, inverting it and creating a high pass to blur her skin. I put a mask on top of the layer and painted her skin so it would appear smooth.
Captain Cooper
Here is Cooper, the gentle giant we love seeing around Camas High School. I had the opportunity of taking Coopers picture in the studio. I didn't use a flash on Cooper just incase it shocked him in any way. I put down a black a large, black sheet of paper underneath him and a black curtain behind him so he would almost blend with the background, but the different shades of black would still stand out. The curtain did not reach all the way to the ground so, in photoshop, I used the stamp tool to blend in parts of the curtain and parts of the paper in order to take out any hard corners or lines. The key when using the stamp tool is to take the filler from areas that are not immediately around where you are stamping. The viewers are not immediately aware of repeated sections of the image, making it more believable and natural to the eye. I did not make many other edits to this image other than taking off the words that were on his bandana, also using the stamp tool.
Thursday, May 12, 2016
I Do
These two photographs were taken in the studio for a wedding shoot. I used a top light on both of these photographs and a parabolic umbrella to enhance the light on this model.
The top picture was taken at a 1/60 shutter because there was very little movement and to let in as much light as possible without placing the camera on a tripod. My aperture was placed at 5.0 to keep a reasonably small depth of field but large enough to where I wouldn't lose her face or the flowers. My ISO was 400 due to the slow shutter. When put into photoshop I desaturated the wood because it had a strong yellow tint. I brightened the color of the flowers with an adjustment layer only on the flowers. I smoothed her skin by changing the layer to vivid light, inverting it and creating a high pass to blur her skin. I put a mask on top of the layer and painted her skin so it would appear smooth. I also transformed the dress into a strapless dress by using the stamp tool. The final edit I made on this picture was adding a light vignette to create more of a focus on the model and to create an elegant effect.
For the second picture I had an ISO of 200 because there was a lot of light present, an aperture of 3.2 due to how close she was and to keep a small depth of field. A small depth of field makes it clear to viewers that the focus of this photograph is the flowers. My shutter was placed at 1/160 due to the amount of light. This picture was originally a portrait but I felt as though it was too tight on her elbows so I expanded the canvas and recreated the background. I used the same process to smooth her skin as the picture above and I used the burn tool to make her shoulder blades stand out.
The top picture was taken at a 1/60 shutter because there was very little movement and to let in as much light as possible without placing the camera on a tripod. My aperture was placed at 5.0 to keep a reasonably small depth of field but large enough to where I wouldn't lose her face or the flowers. My ISO was 400 due to the slow shutter. When put into photoshop I desaturated the wood because it had a strong yellow tint. I brightened the color of the flowers with an adjustment layer only on the flowers. I smoothed her skin by changing the layer to vivid light, inverting it and creating a high pass to blur her skin. I put a mask on top of the layer and painted her skin so it would appear smooth. I also transformed the dress into a strapless dress by using the stamp tool. The final edit I made on this picture was adding a light vignette to create more of a focus on the model and to create an elegant effect.
For the second picture I had an ISO of 200 because there was a lot of light present, an aperture of 3.2 due to how close she was and to keep a small depth of field. A small depth of field makes it clear to viewers that the focus of this photograph is the flowers. My shutter was placed at 1/160 due to the amount of light. This picture was originally a portrait but I felt as though it was too tight on her elbows so I expanded the canvas and recreated the background. I used the same process to smooth her skin as the picture above and I used the burn tool to make her shoulder blades stand out.
Wednesday, May 11, 2016
Dead vs. Living
These photographs were taken in the studio with four flourescent black lights. I used neon, blacklight paint to create designs and images on their bodies and faces. Each photograph was captured with a 5000 ISO because of the little light that was in the room, a shutter of 1/60, and an aperture of 1.8. This metadata allowed for only they bright colors seen to show up in the photograph, and the rest to disappear into darkness. The bottom photograph consists of multiple pictures revealed in different locations.
Tuesday, March 22, 2016
Fire and Ice
For this piece I stitched together multiple pieces of this sunset to create a panorama. It was actually quite dark outside when I took this picture so my ISO was at 800. This caused my shutter to be quite high. I would make some alterations if I were to take these pictures again by pulling down my ISO to allow my shutter to be slower. Considering the metadata, this piece does not have a significant amount of noise.
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